‘I’m Charlie Walker’ Review: More Wink Than Wallop

I’m Charlie Walker Review: In January 1971, two tankers collided in the waters beneath the Golden Gate Bridge in San Francisco, leaking 800,000 gallons of oil. The disaster is remembered for having spurred an environmental movement.

Less known is how a Black trucker named Charlie Walker played a pivotal role in the cleanup campaign during a time when the white trucking unions and their political allies were freezing out Black workers in the Bay Area. The director and writer Patrick Gilles sets out to right the narrative with the movie “I’m Charlie Walker,” plying the overly broad gestures of ’70s blaxploitation films to mixed effect.

The actor Mike Colter (“Luke Cage”) does his part, imbuing Charlie with cool savvy, though his style is more wink than wallop. As the Black owner of a trucking company, he has to be shrewd to contend with the unrefined racism of white truckers and the self-anointed superiority of oil executives.

When a foreman grudgingly gives Walker a stretch of beach in Marin County with a nearly inaccessible road to clear, he catches a break. Currents redirect the crude oil away from the tourist spots where white truckers are waiting. Soon Charlie is marshaling hippie volunteers and hiring truckers keen for a paycheck — both Black and white — for the massive cleanup operation. (Along the way, Bay Area notables Boots Riley and Willie Brown, the former San Francisco mayor, make cameos.)

Dylan Baker plays the unctuous executive who is sure he can control Walker and the narrative. But it’s Charlie’s wife, Ann (Safiya Fredericks), who provides the movie’s voice-over. Her account has a mythmaking undercurrent but is also the film’s deft way of celebrating Black love and family. Charlie Walker might not be John Shaft, but Ann — and the filmmaker — want you to know that he’s still a bad mother (shut your mouth).

I’m Charlie Walker

Not rated. Running time: 1 hour 18 minutes. In theaters and available to rent or buy on Apple TV, Vudu and other streaming platforms and pay TV operators.

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